Gordienko MA PSA SWA ARC Associate Living Master
in the United Kingdom, Arina Gordienko is an internationally acclaimed
figurative realist artist. She was born in the most north-easterly part of Russia, the
Arctic polar region Chukotka, in a small remote gold-mining settlement. Her art education includes MA in Painting (Chelsea College of
Arts, University of the Arts London), BA in Fine Art (Central Saint Martins College of Art,
UAL), and Distinction Diploma in Fine Art (Art College, part-time, Russia).
is an Associate Living Master of the Art Renewal Center in USA, a selected
member of Society of Women Artists in the UK and a member of Portrait Society
of America. She is recognised with numerous international prizes and awards in
the UK, USA and Europe. Her paintings featured at Saatchi Gallery in London,
MEAM - Museum of European Art Modern in Barcelona, Museum of Fantastic Art in
Vienna, Museum of Modern Art Vittoria Colonna in Pescara (Italy), Wausau Museum
of Contemporary Art in USA, Rehs Contemporary
Galleries in New York (USA), Mall Galleries in London and other
galleries in the UK, USA, Australia, Spain, Italy, Austria, Switzerland,
Luxembourg, France, Germany, Check Republic, Belgium and India.
paintings published in many art books, catalogues and art magazines, including
‘Strokes of Genius’ Art Books (Edition 4 & 6) in USA, MEAM ‘Painting Today’ catalogue in Spain,
‘International Realism’ ARC Salon annual book in USA, ‘Art and Freedom XIV’
Year book by Artelibre Gallery in Spain, Reinhard Fuchs’ art book ‘Masterpieces
of Visual Arts - The Great Female Artists from the Middle Ages to the Modern
Era’ in Austria, ‘Masters of Contemporary Fine Art’ and ‘Masters of Painting’
in the UK.
is represented by Artelibre Gallery in Spain, 33 Contemporary Gallery in
USA and ARC Museum in USA. Her works are in private collections worldwide.
Arina is dedicated
to realistic traditions in painting, combining traditional classical techniques
with imaginative compositions and contemporary palette. In her work she uses
the old Masters classic 'sfumato' technique but with her own contemporary
Recently within contemporary art there has been resurgence in using the
portrait genre as a tool to explore concepts that reach beyond pure appearance
and likeness. ARINA’s faces stand out
from the crowd with a graphic signature style that is memorable.
compositions have a bold directness with the monochromes and reds creating a
visual language that communicates across cultures. Her use of light,
composition and pose has a sense of a 17 Century Dutch artists like Vermeer but
the use of scale, tone and reference to realism bring it firmly into the 21
Century. The qualities of her art have hints of her Russian background within
the context of Western influences.
On close inspection ARINA’s handling of
paint is not of bold gestures but the quiet, slow build-up of tonal values
which beautifully suggest the sensual surface of the skin and underlying bone
structure. The lack of hair accentuates the features of the face with the folds
of the head scarf contributing to the architecture of the head, creating an
almost sculptural object.
ARINA uses herself as a vessel for her ideas;
the likeness is striking and her expressions are beguiling; she occupies her
face with the confidence of an actor trying to communicate to a broad audience.
ARINA’s portraits are ambiguous, she does not reveal too much about herself but
presents an icon of a woman that can be contemplated and interpreted in many
ways; this is where her paintings’ strength.
(Peter Monkman MA, Director of Art Charterhouse, First Prize Winner of
the BP Portrait Award 2009 at the National Portrait Gallery, London, UK)
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Please do not attempt to use any images in this website as finished art
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