Arina Gordienko is an internationally acclaimed
artist who is often known under her artist’s name of ‘ARINA’. She is awarded with the ‘Living Master’ Status by
the Art Renewal Center (ARC) in USA and is recognized with more than 40
prestigious international prizes and awards in the UK, USA, Europe and
Russian-born, now based in the UK, ARINA exhibits
her paintings all over the world, her paintings were featured at venues such as
Saatchi Gallery in London, Museum of Fantastic Art in Vienna, Museum of Modern
Art Vittoria Colonna in Italy, her works included to the ARC Museum, USA.
She is passionately dedicated to the renaissance of
the realistic traditions in painting and widely proclaims revival of Beauty in
Art. She uses the old Masters classic ‘sfumato’ technique in her work but with
her own contemporary essence. She has developed her own significant style,
combining traditional classical techniques with surreal imaginative compositions
and a contemporary palette.
ARINA’s works are in private collections worldwide
and featured in numerous publications including Reinhard Fuchs’ book
‘Masterpieces of Visual Arts - The Great Female Artists from the Middle Ages to
the Modern Era’ alongside works of Frida Kahlo, Georgia O’Keeffe, Bridget Riley
etc., ‘Masters of Contemporary Fine Art’ in the UK, ‘Masters of Painting’ in
the UK, ‘Strokes of Genius -4’ and ‘Strokes of Genius-6’ in USA.
She has Master’s Degree in Fine Arts, graduated at Central
Saint Martins College of Art and Chelsea College of Art, University of the Arts
London, UK. She is a full-member of SWA (Society of Women Artists) in the
UK and Portrait Society of America (PSA) in USA.
Recently within contemporary art there has been resurgence in using the
portrait genre as a tool to explore concepts that reach beyond pure appearance
and likeness. ARINA’s faces stand out
from the crowd with a graphic signature style that is memorable.
compositions have a bold directness with the monochromes and reds creating a
visual language that communicates across cultures. Her use of light,
composition and pose has a sense of a 17 Century Dutch artists like Vermeer but
the use of scale, tone and reference to realism bring it firmly into the 21
Century. The qualities of her art have hints of her Russian background within
the context of Western influences.
On close inspection ARINA’s handling of
paint is not of bold gestures but the quiet, slow build-up of tonal values
which beautifully suggest the sensual surface of the skin and underlying bone
structure. The lack of hair accentuates the features of the face with the folds
of the head scarf contributing to the architecture of the head, creating an
almost sculptural object.
ARINA uses herself as a vessel for her ideas;
the likeness is striking and her expressions are beguiling; she occupies her
face with the confidence of an actor trying to communicate to a broad audience.
ARINA’s portraits are ambiguous, she does not reveal too much about herself but
presents an icon of a woman that can be contemplated and interpreted in many
ways; this is where her paintings’ strength.
(Peter Monkman MA, Director of Art Charterhouse, First Prize Winner of
the BP Portrait Award 2009 at the National Portrait Gallery, London, UK)
All images Copyright © ARINA (Arina Gordienko) All rights reserved
Please do not attempt to use any images in this website as finished art
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